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Post by William the Bloody on Jun 6, 2003 3:49:50 GMT -5
Let the discussion begin!
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Post by Spaced Out Looney on Oct 3, 2004 15:12:58 GMT -5
Thanks for pointing this out. This scene seems to suggest to me that Spike's story is really about his fall from darkness, seduced (though the seduction is not straightforward) by a beautiful woman. Instead of "selling his soul to the devil," he earns his back. Buffy crippling him when he next appears in What's My Line really sets things in motion.
Two other things are really interesting in this scene. One is Spike's comment that Ford had a death wish. If there's one thing Spike really knows, that's the death wish; perhaps, even though Spike couldn't stand Ford he did identify with him a little. And of course, either Spike or Dru in the end gave Ford what he wanted.
The second thing is that the reason Ford wanted to be turned was because he was terminally ill, which is the same reason Spike decided to turn his mom. I don't think Spike knew of Ford's illness, but it's interesting nonetheless.
What's interesting about Spike pre-soul is that while he may have no conscience, he always has a strong sense of honor, betraying his victorian gentleman roots. I think throughout the entire series, the only promise he intentionally breaks is his promise to never return to Sunnydale.
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Post by SpringSummers on Oct 7, 2004 11:37:05 GMT -5
Thanks for pointing this out. This scene seems to suggest to me that Spike's story is really about his fall from darkness, seduced (though the seduction is not straightforward) by a beautiful woman. Buffy crippling him when he next appears in What's My Line really sets things in motion. So true. I never thought of that as a turning point, but it is. You know, that struck me, in Lover's Walk. Buffy says to Spike, when he promises to take them to Willow & Xander, that he's "not exactly famous for keeping his promises." But in fact, that's exactly what he's famous for - as Buffy knows, from Becoming II.
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Post by Spaced Out Looney on Oct 7, 2004 12:20:11 GMT -5
You know, that struck me, in Lover's Walk. Buffy says to Spike, when he promises to take them to Willow & Xander, that he's "not exactly famous for keeping his promises." But in fact, that's exactly what he's famous for - as Buffy knows, from Becoming II. I think maybe she was referring to the fact that he promised to never come back to Sunnydale. But her assertion hardly holds up in the long run.
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Post by SpringSummers on Oct 8, 2004 12:26:26 GMT -5
I think maybe she was referring to the fact that he promised to never come back to Sunnydale. But her assertion hardly holds up in the long run. This made me curious, so I looked it up. From Becoming II: SPIKE (to Buffy): "I'll take her [Dru] out of the country. You'll never hear from us again, I bloody well hope." Spike's side of the deal is: Keep Giles alive, fight with Buffy instead of against her, and leave town with Dru. Buffy's side of the deal is: Go to the mansion as soon as she can, kill Angel, and stop the apocalypse. The "never hear from us again" - it's worded (and Buffy accepts it) as a highly likely attractive side-effect of the deal. NOT to say that this isn't what Buffy is likely referring to when she makes that comment, about "not keeping his promises" in Lovers Walk.. It could very well have felt that way to Buffy, when she realized Spike was back in town: "He said he'd never come back!"
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Post by Spaced Out Looney on Oct 8, 2004 23:47:15 GMT -5
This made me curious, so I looked it up. From Becoming II: SPIKE (to Buffy): "I'll take her [Dru] out of the country. You'll never hear from us again, I bloody well hope." Spike's side of the deal is: Keep Giles alive, fight with Buffy instead of against her, and leave town with Dru. Buffy's side of the deal is: Go to the mansion as soon as she can, kill Angel, and stop the apocalypse. The "never hear from us again" - it's worded (and Buffy accepts it) as a highly likely attractive side-effect of the deal. NOT to say that this isn't what Buffy is likely referring to when she makes that comment, about "not keeping his promises" in Lovers Walk.. It could very well have felt that way to Buffy, when she realized Spike was back in town: "He said he'd never come back!" Hmm, so _technically_ he never broke that promise either. Interesting that despite Spike's slayer killage, everyone perceives Dru to be the more dangerous of the pair.
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Post by SpringSummers on Oct 9, 2004 1:27:11 GMT -5
Hmm, so _technically_ he never broke that promise either. Interesting that despite Spike's slayer killage, everyone perceives Dru to be the more dangerous of the pair. Yes, I noticed that as well, and I have to agree with the citizens of Sunnydale . . . Spike is scary but Dru is scarier. She's evil through and through, but on top of that, is totally beyond reason and completely unpredictable. In her way, she's even scarier than Angel or Darla.
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Post by Lola m on Oct 9, 2004 9:53:23 GMT -5
Yes, I noticed that as well, and I have to agree with the citizens of Sunnydale . . . Spike is scary but Dru is scarier. She's evil through and through, but on top of that, is totally beyond reason and completely unpredictable. In her way, she's even scarier than Angel or Darla. Yup. It's one of the reasons I find her such a fascinating character and (I think) a difficult one for writers to capture. That combination of the violence of the demon, the precognition of Dru, and the insanity from just before she was turned. From the first moment she and Spike arrive in School Hard, we can see how even the other vampires, even the Annoying Annointed One - look at her and go . . . . huh?! And later, after she's saved Spike from the church but before Angelus arrives, she's clearly the one that the minions fear. Frankly, it looks like they almost count on Spike to (sporadically) protect them from her vagarities and sudden angers. Which makes every single sweet or tender scene between her and Spike that much more . . . . wow. Really highlighting how different both of them are, vampirically speaking. Lola Um. Ooops. I can babble on quite a bit when the discussion turns to Dru. ;D
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Post by Spaced Out Looney on Oct 10, 2004 2:06:09 GMT -5
Yup. It's one of the reasons I find her such a fascinating character and (I think) a difficult one for writers to capture. That combination of the violence of the demon, the precognition of Dru, and the insanity from just before she was turned. From the first moment she and Spike arrive in School Hard, we can see how even the other vampires, even the Annoying Annointed One - look at her and go . . . . huh?! And later, after she's saved Spike from the church but before Angelus arrives, she's clearly the one that the minions fear. Frankly, it looks like they almost count on Spike to (sporadically) protect them from her vagarities and sudden angers. Which makes every single sweet or tender scene between her and Spike that much more . . . . wow. Really highlighting how different both of them are, vampirically speaking. Lola Um. Ooops. I can babble on quite a bit when the discussion turns to Dru. ;D Wow, you've obviously spent a lot of time thinking about the Dru character. I'd be curious to know what your thoughts are about Dru when she appears in Crush, if you could post them on the Crush board.
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